The Duchamp Effect

This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal.

The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and Fred Wilson) and a round-table discussion of the Duchamp effect on conceptual art.

Contents

Introduction 簿聶翻 Benjamin H. D. Buchloh
What's Neo about the Neo-Avant-Garde? 簿聶翻 Hal Foster
Typotranslating the Green Box 簿聶翻 Sarat Maharaj
Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris 簿聶翻 Benjamin H. D. Buchloh
Interviews with Ed Ruscha and Bruce Conner 簿聶翻 Elizabeth Armstrong
Echoes of the Readymade: Critique of Pure Modernism 簿聶翻 Thierry de Duve
Concept of Nothing: New Notes by Marcel Duchamp and Walter Arensberg 簿聶翻 Molly Nesbit and Naomi Sawelson-Gorse
Interviews with Sherrie Levine, Louis Lawler, and Fred Wilson 簿聶翻 Martha Buskirk
Thoroughly Modern Marcel 簿聶翻, Martha Buskirk
Conceptual Art and the Reception of Duchamp 簿聶翻 October Round Table
All the Things I Said about Duchamp: A Response to Benjamin Buchloh 簿聶翻 T. J. Clark
Response to T. J. Clark 簿聶翻 Benjamin Buchloh