Over the course of the past forty years, Gérard Genette’s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to
be one of France’s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic
problems (the receiver’s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with specific
moments in the work of a well-known writer or artist (such as Stendhal, Proust, Manet, Pissarro, and Canaletto). Essays in Aesthetics contains a wealth of material related to the
appreciation of beauty by one of the subtlest and most original minds working in aesthetics today. Genette knows the fine arts as well as he knows literature and as a result has innovative
things to say to readers in that field as well as to philosophers and literary scholars.
