"We are in the presence of that uniquely photographic and uniquely American phenomenon: the documentary sublime. [Golden Gate] takes you, metaphorically and literally, as far west as you can
get. Just as Frederic Edwin Church's colossal Niagara (1857) still surpasses the iconic familiarity of the location, so Misrach's pictures make us see an overphotographed subject in a new
light; literally. But the light that shrouds, frames, drenches and (always) dwarfs the bridge is also historical. It is as if the sky of every one of the paintings on show at Tate Britain
has, at some point, ended up in the Bay Area. . . . Church's rainbow even turns up in one of them. All-even the ones that are completely abstract, just air, color, light-attest to a
verifiable truth: at that moment it really looked like this. We have arrived at a vision of the sublime that is literal and absolute. It is impossible to go any further." -Geoff Dyer
Aperture is delighted to reissue Richard Misrach's highly acclaimed publication, Golden Gate. Misrach's photographs are illuminated by important essays by noted art historian T. J. Clark and
by geographer Richard Walker.
