With its roots in the distant, pre-Christian past, the art of the icon has been refined over centuries. Icon paintings are instantly recognisable but have never been widely understood in the
West. The art developed in the deserts of the Middle East, passing through the Roman and Byzantine imperial ages and achieving it's highest form in Russia, while exerting a discernible
influence on the Italian Renaissance along the way.
Richard Temple's lavishly illustrated book provides a concise but thorough tour through the ages of the icon, tracing the art from its origins to the 19th century and beyond. The icons selected
to illustrate the text include famous works as well as many stunning, rarely seen ones. This particular emphasis on lesser-known masterpieces, along with the author's cogent, thorough and very
personal overview of the major periods and themes of icon painting, make this book a truly unique contribution to the field of art history and appreciation. It is both an introduction for the
uninitiated and an
objet in its own right that will delight connoisseurs.
With its roots in the distant, pre-Christian past, the art of the icon has been refined over centuries. Icon paintings are instantly recognisable but have never been widely understood in the
West. The art developed in the deserts of the Middle East, passing through the Roman and Byzantine imperial ages and achieving it's highest form in Russia, while exerting a discernible
influence on the Italian Renaissance along the way.
Richard Temple's lavishly illustrated book provides a concise but thorough tour through the ages of the icon, tracing the art from its origins to the 19th century and beyond. The icons
selected to illustrate the text include famous works as well as many stunning, rarely seen ones. This particular emphasis on lesser-known masterpieces, along with the author's cogent,
thorough and very personal overview of the major periods and themes of icon painting, make this book a truly unique contribution to the field of art history and appreciation. It is both an
introduction for the uninitiated and an objet in its own right that will delight connoisseurs.
