Salo or the 120 Days of Sodom

Sal簿聶翻 or The Hundred and Twenty Days of Sodom (Sal簿聶翻 o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Sal簿聶翻 is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch.
But insightful artworks are often disturbing. Beneath the extreme, taboo-breaking surface of Sal簿聶翻, Gary Indiana argues, is a deeply penetrating account of human behavior that resonates not only as an account of fascism but as a picture of the corporate, morally compromised world we live in today. Sal簿聶翻 or The Hundred and Twenty Days of Sodom (Sal簿聶翻 o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Sal簿聶翻 is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch.
But insightful artworks are often disturbing. Beneath the extreme, taboo-breaking surface of Sal簿聶翻, Gary Indiana argues, is a deeply penetrating account of human behavior that resonates not only as an account of fascism but as a picture of the corporate, morally compromised world we live in today.