Doris Lessing tackles the 1960s and their legacy head-on in her most involving, most personal, most political novel for some years. It’s the morning of the Sixties and it’s suppertime at
Freedom Hall, the most welcoming household in North London. Frances Lennox stands at her stove, bringing another feast to readiness before ladling it out to the youthful crew assembled around
her hospitable table -- here are her two sons, smarting at their upbringing but beginning to absorb their mother’s lessons. Around them are ranged their schoolfriends and girlfriends and
ex-friends and new friends fresh off the street. The feast begins. Wine and talk flow. Everything is being changed and being challenged. But what is being tolerated? And where will it end? Over
there in the corner is Frances’ ex-husband, Comrade Johnny, who delivers his rousing tirades, then laps up the adolescent adulation before disappearing into the night to evade the clutches of
his responsibilities. Upstairs sits Johnny’s exiled mother, funding all, but finding she can embrace only one lost little girl -- Sylvia, who has to travel to Africa, to newly independent
Zimlia, to find out who she is and what she wants.
And, yes, what of the Africans, what will they tolerate? These are the people dreaming the Sixties into being and the people who on the morning after all that dreaming, woke to find they were
the ones taxed with clearing up and making good.
